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Eli Concert

Winterland (San Francisco, CA)

Eli concert at Winterland on Jan 31, 1975

01.31.1975
Tracks: 7 / Total Time: 51:32
Catalog: Bill Graham

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Concert Summary

Not much is known about the band Eli. (There are a few groups that have used that name, but this band was working on the west coast in the mid-1970s). The band was formed in Redding, California, and moved to the Bay Area in the early part of 1974. From there they hooked up with producer "Jelly Roll" Troy. Playing a version of Southern Rock that had more of a heavy metal leaning than the Allmans or Skynyrd, Eli was able to attract some label interest and caught the ear of promoter Bill Graham, who gave them a few shows, including this one in January 1975, opening for KISS and Third…entire summary

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  • Steve Gunner | Monday, January 26, 2009 | 9:41 am

    Regarding the title "unknown", to the best of my recollection, it was penned and sung by Lockhart, with possibly some help from Littleton. It was called: "I Just Can't Forget It". As for the riff being lifted from David Harvey ("Ed Blake"), it is possible. However, Lockhart was Harvey's guitar teacher in the 60's, so who really knows, maybe Harvey got the riff from Lockhart?

  • Steve Gunner | Wednesday, January 21, 2009 | 8:44 am

    Hankhuff and greytouk are a bit fuzzy on the details of their recollections. But then these events were some 30 years ago! The original Eli included singer/songwriter Tim Goss. Upon Tim's departure in early '72, Gunner was recruited strictly as keyboardist from another Redding band, "Fuel". Gunner's guitar talents were not yet acknowledged, nor needed, as the band already had two guitarists. The music was soft hippie rock, fueled by youthful idealism and lots of pot. A key figure at this time was "manager" Jack Miller (R.I.P.), whose fascist domination of the band was relentless. Jack booked the gigs and did battle with the local booking agent and the Musician's Union. He also locked the band in the rehearsal studio more than once, and was the Artimus Pyle connection. After Eli split up in '75, Jack worked with Gunner on his solo project for the next two years in Marin. After the '77 Skynyrd plane crash, Pyle invited Gunner to start another band in the South. This did not work out, but Pyle graciously introduced Gunner to Jackie Potter, Billy Beheler, and Steve Brewington. Together they formed a band, "Titus" under Jack's direction, and lived in a band house in Bat Cave, NC. This was also short lived, as Potter got religion and quit music altogether, while Beheler and Brewington joined Pyle in "Studebaker Hawke", without Gunner. Pyle then attempted to ostracize Gunner from the small local music community due to unfounded suspicions of his having an affair with Mrs. Pyle. Despite Jack's generous offer to pay for Gunner's return to California, he stayed and found other players to form another "Gunner" band. After the Hawke's breakup, Pyle started "APB", and Gunner did play briefly with a lineup which included Mark Edelstein on guitar and Buzzy Meekins on bass. Gunner further pursued his own band, and Jack then brought Steve Lockhart to the Carolinas for APB. When Skynyrd reformed in '91 Lockhart was hired as a roadie and found himself setting up Pyle's drums. Before Pyle himself was dismissed from the band, he and Lockhart would come to a fistfight. According to Lockhart, he kicked Pyle's behind, even shoving meat from the backstage deli tray into the vegetarian's mouth. Gunner did eventually return to California on his own dime.

  • greytouk | Thursday, January 08, 2009 | 11:25 am

    I lived next door to Gunner in Pea Ridge, NC in the late 70's, it wasn't APB that he played with Artemus in, it was a band called Studebaker Hawke, Also featuring Billy Beheiler and Steve Brewington. Pyle replaced original drummer Jackie Potter, who was insanely talented, but didn't stick around. One of the best bands in the south that again, didn't make it past at least one monster ego.

  • hankhuff | Sunday, December 28, 2008 | 2:41 pm

    The genesis of "Eli" can be traced to Igo, a small mining town outside Redding and a dilapidated hippie band house called "The Space Station". The original lineup was: Tim ? - guitar and lead vocals Steve Lockhart - guitar Jim Jackson - guitar Chris Paulsen - drums Chris Littleton - bass, keyboards Tim ?'s original songs and vocals were the driving force behind the band at their zenith. It was Steve Lockhart who was a recording member of the Artimus Pyle Band and co-wrote several songs on 1982's "A.P.B". Steve Gunner replaced original guitarist Jim Jackson ("JJ") Chris Paulsen went on to become a member of "Mistress" and played on their only (self - titled) 1979 release. He later played and recorded with Marin County singer - songwriter Danny Sorentino. Chris Littleton went into management and was tour manager for "Madonna" among others. The second track "unknown" features a riff lifted directly from another unknown Redding band (of teenagers) called "Ed Blake". Thieving magpie...

  • Davide888 | Saturday, November 22, 2008 | 1:04 pm

    This band is friggin great!

  • corry342 | Friday, November 21, 2008 | 9:46 am

    Since I recall seeing Kiss, I must have seen these guys, too, but I'm drawing a blank. I do recall that the other act, Third Rail, were a power trio.

  • corry342 | Friday, November 21, 2008 | 9:45 am

    Kiss had the whole headline act schtick, with smoke bombs and fire breathing and everything, but they had no following in San Francisco. FM radio (KSAN, KSJO, KOME, KTIM) hated them, and this was long before any Am radio hits for the band. They obviously weren't going to be third on the bill, either, so they ended up headlining a Tuesday night "Sounds Of The City" for two bucks. There were several hundred people there, but in the cavernous (capacity 5500) Winterland it seemed deserted.

  • corry342 | Friday, November 21, 2008 | 9:42 am

    I remember this show. At the time, while Kiss were popular in the Northeast (they were a Long Island band) and Detroit (Creem magazine loved them), they were nobodies on the West Coast. At the time, radio was not nationalized, so many acts were headliners in one city and third on the bill elsewhere. Peter Frampton, for example, recorded "Comes Alive" at Winterland because it was the only place he headlined.

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